Business Design Web

The Whiteboard Animation Video Design Solution Of The Future


VIDEO


Whiteboard and Animated Graphics Video for Web

Promotional Video

TV Commercial


TV Commercial


holiday greeting video (freelance collaboration with Purdie Rogers)


holiday greeting video (freelance collaboration with Purdie Rogers)


website banner video ("Your Number One Choice-1")


website banner video ("Your Number One Choice-2")


website banner video ("Your Number One Choice-3")

Website Marketing Video

Custom Video Greeting

Why Whiteboard Sells


GRABS ATTENTION

Whiteboard videos are a great way to engage your web visitor. Your viewer is instantly put at ease due to the casual and informal feel and they continue watching because they want to see the drawing completed and experience the final product. Drawings are a primary and very basic way of communicating and people are drawn (sorry for the pun!) to them. When your viewer is relaxed and engaged, they will take notice and connect with your message and you'll be more likely to make a sale.

FLEXIBLE BRANDING

Whiteboard animations are completely custom and can be crafted specifically to reflect your branding, but in that folksy, familiar style. Whatever your message or brand, it is reinforced in a positive, fun way. You can’t go wrong.

DON'T WASTE YOUR SPACE

What's the point of putting your message on the web if it's not going to grab people — and let's face it — entertain them? You want to be memorable; you want to sell your product. With whiteboard animation, your message stays with your visitor and they are more likely to remember and choose you over your competitor.

APPEALS TO PEOPLE AND SEARCH ENGINES BOTH

A picture is worth a thousand words, and moving pictures are worth even more! Animations are the exact opposite of text on a page. Viewers connect with the drawings on an immediate and emotional level. Also, search engines take note when people stay on your site to watch your animation, giving your site better rankings.



Print

Strong design that catches attention
and enhances your brand

Definition Design Graphics

Website Design

Clean, modern, mobile-friendly
designs made to sell your product

Business Design Web

Video

Different styles to showcase
your business message

Design Business Web

Whiteboard Animation

Eye-catching and fun animations that
will keep your web visitor engaged

Business Design Web

Illustration

Custom illustrations guaranteed to be
worth a thousand words each

Definition Design Graphics

Custom HTML Emails

Custom emails engage your clients
with visually appealing graphics

Design Business Web

Logos

Logos that reflect and communicate
your business philosophy

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Other Fun Stuff

Ars longa, vita brevis —
(not enough hours in a day)

Definition Design Graphics

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Information for the city of Kansas City

"

Kansas City is one of ten regional office cities for the United States Government. The U.S. Government is the largest employer in the Kansas City metro area, with more than 146 federal agencies maintaining a presence. The Internal Revenue Service maintains a large service center in Kansas City that is nearly 1,400,000 square feet (130,000 m2). The IRS facility is one of only two facilities in the nation to process paper returns. The IRS has approximately 2,700 full time employees in Kansas City and upwards of 4,000 employees during peak tax season with the addition of temporary employees. The General Services Administration has more than 800 employees in Kansas City, with most located at the Bannister Federal Complex in South Kansas City. The Bannister Complex is also home to the Kansas City Plant, which is a National Nuclear Security Administration facility operated by Honeywell. Honeywell employs nearly 2,700 at the Kansas City Plant, which produces and assembles 85 percent of the non nuclear components of the United States nuclear bomb arsenal.

 

The Social Security Administration has more than 1,700 employees in the Kansas City area, with more than 1,200 located at its Mid America Program Service Center (MAMPSC) in downtown Kansas City. Company operates a large manufacturing facility just outside of Kansas City in Claycomo at the City Assembly Plant, which currently builds the F 150. It has previously assembled the Of late, it has been developing some academic and economic institutions related to animal health sciences, an effort most recently bolstered by the selection of Manhattan, Kansas, at one end of the Kansas City Animal Health Corridor, as the site for the National Bio and Agro Defense Facility, which is tasked, among other things, to research animal related diseases.Numerous agriculture companies operate out of the city. Dairy Farmers of America, the largest Dairy Co op in the United States is located here. Kansas City Board of Trade is the principal trading Exchange for hard red winter wheat the principal ingredient of bread.Tnew oblong headquarters in downtown Kansas CityThe business community is serviced by two major business magazines, the Kansas Journal (published weekly) and Magazine (published monthly), as well as numerous other smaller publications, including a local society journal, the Independent (published weekly). Kansas City is literally ""on the money.""

 

Bills issued by the Federal Reserve Bank of Kansas City are marked the letter ""J"" and/or number ""10."" The single dollar bills have Kansas City's name on them. The Kansas City Federal Reserve built a new bank building that opened in 2008 and relocated near Union Station. Missouri is the only state to have two of the 12 Federal Reserve Bank headquarters (St. Louis also has a headquarters). Kansas City's effort to get the bank was helped by former Kansas City mayor who as senator broke a tie to get the Federal Reserve Act passed.The national headquarters for the Veterans of Foreign Wars is headquartered just south of Downtown Kansas City.With a Gross Metropolitan Product of $41.68 billion in 2004, Kansas City's (Missouri side only) economy makes up 20.5% of the Gross State Product of Missouri. In 2014. Kansas City was ranked as the number six city for real estate investment.

 

"

 

Information for the state of Missouri

The Bureau of Economic Analysis estimates that Missouri's total state product in 2006 was $225.9 billion. Per capita personal income in 2006 was $32,705, ranking 26th in the nation. Major industries include aerospace, transportation equipment, food processing, chemicals, printing/publishing, electrical equipment, light manufacturing, and beer. The agriculture products of the state are beef, soybeans, pork, dairy products, hay, corn, poultry, sorghum, cotton, rice, and eggs. Missouri is ranked 6th in the nation for the production of hogs and 7th for cattle. Missouri is ranked in the top five states in the nation for production of soy beans, and it is ranked fifth in the nation for the production of rice. As of 2001, there were 108,000 farms, the second-largest number in any state after Texas. Missouri actively promotes its rapidly growing wine industry. Missouri also has a growing science and biotechnology field. Tourism, services and wholesale/retail trade follow manufacturing in importance.

 

How To Get The Right Whiteboard Animation Video And Grow Your Company  

Professional graphic designers only survive in this highly competitive field when they're providing their clients with top-quality service, -Kansas City Whiteboard Animation Video Companies

 

 

THE WHITEBOARD ANIMATION VIDEO OF YOUR DREAMS  

Animation Download Video Articles

"

e-Learning: Creating Effective Whiteboard Animations

 

-Great Script

 

The foundation of all effective whiteboard animations is having a really good script. It's important to remember, though, that the animation should have minimal text, which means that the words you choose to identify the learning you're trying to share must be chosen very carefully. It's the script that will determine how long your video will be, so the script sets the pace for image transitions.-Effective Flow

 

A good whiteboard animation is very much like a story, in-as-much-as it has a distinct beginning, middle, and end. Having an effective flow helps the viewer understand the concept or issue being taught, and how it will affect their lives. Whiteboard animations are typically quite short - somewhere between 60 seconds and five minutes, with a smooth flow.

 

-Powerful Images and Illustrations

 

Powerful imagery is the backbone of a successful whiteboard animation video. Yes, it will take time to create effective illustrations and images, but it will be time well spent. Basically, it's the imagery that makes the connection with your audience, even without words. When developing illustrations, keep in mind the social and cultural predispositions of your audience, and because the illustrations will be either computer-generated or hand drawn, you can always re-work or tweak them as needed.

 

-Appropriate Audio

 

It's audio that humanizes e-content, because in the absence of on-screen text, it's the voice-over that details your concept and ideas. The nature of the animation video determines how the voice-over is developed, and your audio will become an important accompaniment to your illustrations.

 

-Accompanying Music

 

Sound effects and music are both powerful tools to be used for creating greater impact and jazzing up your video. The scene being presented to the viewer may be an illustration, but it's the sound effects and music that help create a realistic scenario. Let's say your animated illustration includes a door opening: the viewer will perceive this as real when they hear the accompanying ‘creak' of the door.

 

It's not that long ago that developing a whiteboard animation was a long and tedious process. In fact, this task was usually accomplished by taking a video of a hand drawing on a whiteboard, then fast-pacing it to make it appear animated. Fortunately, the process today is so much easier, and a whole lot more effective!

 

Using Whiteboard Animations for Corporate Training and Learning

 

Whiteboard animations are particularly effective for corporate training and learning, and the following are just some of the benefits -

 

-Effective Marketing Tool

 

Whiteboard animation can be a very effective marketing tool, particularly if you're introducing a new business process. In fact, animation videos are probably the perfect way of generating interest in a new tool or process within an organization because they're short and to-the-point; plus, they take up very little of the viewer's time and they're informal, which encourages the viewer to ‘try and see'.

 

-Handy Revision Tool

 

Whiteboard animations serve as excellent refreshers when accompanying text heavy courses. When they encapsulate the basics of the course, it helps the learner refresh and/or revise, as needed. Animations certainly make learning more palatable and information much easier to both consume and retain.

 

-Learning Complex Tasks Becomes Easier

 

Whiteboard animations make complex processes, such as assembling machinery parts, easier for the learner to both see how things work and understand processes much easier. Whiteboard animations are different to static images, and with animation these processes can be broken down and clearly illustrated.

 

-Perfect for Demonstration Purposes

 

Whiteboard animations are ideal when you need to create a demonstration for a product that's being built or created. Real pictures or photographs can be difficult to both get and comprehend, whereas drawings or illustrations in animation can easily represent the product to the learner.

 

-They're Popular!

 

Whiteboard animations have become very popular, so using this type of video helps distinguish your modern and up-to-date course from others. By presenting a short animation video prior to the start of a course, the learner becomes interested - curious to know more. In fact, placing an effective animation video on your website will probably be a lot more effective than all the impactful content you can create!

 

-They're Morale Boosting

 

Because these types of videos are informal, whiteboard animations can boost a team's morale by highlighting organizational goals, beliefs, and achievements. Whiteboard animations reduce the usual seriousness that generally accompanies these types of discussion.

 

Today, besides being very popular, whiteboard animations have become a very useful learning tool. Because they're so short and to-the-point, they perfectly suit the needs of today's modern corporate learner. There are certain learning needs, however, where whiteboard animation will not be as effective as videos with actual settings and real people; like when you need more depth to your video or when you're showing actual people carrying out a specific task.

 

"

 

How To Get The Right Whiteboard Animation Video And Grow Your Company

 

 

Animation Download Video Articles

Important Points to Consider When Hiring a Graphic Designer

 

Great graphic design can shape your online identity; an identity that reflects your values, resonates well with your audience, and looks smart. In addition, it can help you reach your goals. In fact, having a great graphic designer could well be one of the most important contributors to the success of your business. We know that concise messaging, a strong value proposition, and frequent outreach are all vital to achieving an effective communications plan; however, no plan can succeed without top-quality creative presentation that lifts you above your competitors. You need a plan that not only engages your audience but influences their behavior.

 

Choosing the Right Graphic Designer for Your Needs

 

 

Today, there are some very talented designers out there; however, they're not all the same, because creative ability is just one piece of the puzzle. The separation begins with the functional and practical application of that talent. See below for some important factors to consider when trying to choose from talented graphic designers -

 

•Look for Diverse Experience

 

 

Experience is important and, while many graphic designers share the same skill sets, you'll find that designers who've worked in advertising agencies have usually worked for a variety of clients which generally makes them more efficient with their time. Designers who've worked in corporate communications are more likely to be sensitive to budgetary constraints and will have developed a variety of skills across many disciplines. Of course, finding a designer with both these histories should present the very best on offer.

 

•Check Their Online Portfolio

 

 

Study their online portfolio because, if there's only a small sampling of their work, it could well be an indication of inexperience. You're looking for a graphic designer who's completed a variety of work for a range of industries: in particular, you're checking to see if they've worked for businesses similar to yours. If they have, how do their strengths align with both your immediate and long-term needs? They may not be the right fit if you see mostly logos but you're actually looking for advertising help. Let's say you're in a high-tech industry: if you choose a designer who mainly focuses on retail goods they may not either understand your audience or be experienced enough to handle the learning curve.

 

•Know Your Graphic Designer

 

 

You need to know a little about your graphic designer, like - how do they think? Are they active on social media? Do they have a blog? Have you checked out their LinkedIn profile? Do they use social media to offer helpful tips and advice, or only to show samples of their work? If they have an interesting blog, one that you can learn from, this designer could well be the right one for you.

 

•The All-Important Testimonials

 

 

In business, word-of-mouth is so very important, and so is the written word from satisfied clients. Graphic designers are no exception to this, and a webpage of testimonials tells potential clients that, not only are previous customers satisfied, they're prepared to tell everyone about the great service or product they received. Take a close look at all the comments: are they all pretty-much the same, or do they offer an insight into the type of relationship they've had with the designer. Don't hesitate to contact previous clients and ask about their experience with the designer.

 

•Have Realistic Expectations

 

 

State your expectations clearly, and this will avoid both you and the designer wasting time. Ask your new designer how your business fits into their business model, and whether you'll receive the same level of attention all their other clients receive. Keep in mind, though, that expectation management is a two-way street: you probably won't be the graphic designer's only client, so you need to be both realistic and sensitive to their need to manage their business.

 

•Consider Hiring Locally

 

 

It's much easier to discuss your needs with a graphic designer if you can meet in person, face-to-face. In fact, be concerned if your local graphic designer does not ask to meet you in-person. So much can be learned when people engage in conversation that goes beyond the project at hand. Real success can't be achieved by hiring an online logo service that outsources work overseas, meaning that a good relationship is very important to the success of any communications effort. And of paramount importance is this: your graphic designer must understand you, your service or product, your industry, your audience, and of course your competition. Your graphic designer must be able to reflect your personality, your style, and your attitude because, not only is it entirely appropriate, it brings real ownership to you. None of this can be achieved without a relationship of proximity. It's quite misguided to separate the client from the creative professional, plus it productizes the service.

 

•Charge-Out Rates

 

 

There will always be less-experienced graphic designers out there happy to charge low rates, but keep in mind that their inexperience means they'll require more direction and handholding and they'll probably work slower. Yes, an experienced designer will charge high hourly rates but, to counteract this, they work more efficiently, will typically need less direction, and are more attuned to best practices. In addition, they generally have working relationships with vendors, industry experts, and so on, and can point you to the right resource to complete the job. There's always going to be some appeal in finding the cheapest designer, but keep in mind that you could end up paying more through revisions or time spent.

 

•Graphic Design Is an Investment - Not an Expense!

 

 

Do some research on how much graphic design services cost and, before you contact anyone, work out a realistic budget. You should understand the true value of what you're going to buy, so, when evaluating fees, make sure you maintain the right perspective. Generally, people are quite happy to pay their mechanic or accountant $100 per hour, and certainly nobody would argue that the face of your business is any less important. Be wary of graphic designers who undervalue their professionalservices, or alternatively, offer huge discounts just to win your business.

 

•Are They Listening to You?

 

 

Is your potential graphic designer listening to what you're saying? Do they understand your business goals? Does your candidate understand exactly how everything fits into your business goals or are they thinking along a project-by-project path?

 

•Are You Listening to Them?

 

 

Listen to what your graphic designer has to say, because an experienced professional will have some great advice to offer that could well make you reconsider some of your own ideas. That's not a bad thing - it's a good thing! Basically, you're looking for a graphic designer who's prepared to challenge your thinking, so be open to their advice. Don't be so sure you know exactly what you want because, if you say you're only looking for someone to put all your ideas in place, that's probably what you'll get; but it may not be what you really need.

 

Your Initial Meeting

 

 

Once you've had a face-to-face meeting with a short list of candidates you'll soon determine the best fit for you. It's okay to let them know that this is new territory for you, because a real professional will be prepared to help you, understanding that everyone benefits in the long run. Pay particular attention to candidates who ask a lot of questions about your business, your audience, and the market, prior to discussing your project; because in order for them to work effectively for you they need to understand both your long-term vision and your challenges. With this information, they'll be in a good position to offer valuable advice.

 

It's important that you ask questions too: ask about their work and their experience. How do they answer these questions: do they discuss challenges and results, or do they just rattle off a list of projects? You're looking for someone who has genuine passion for what they do. Because you've already done your research you can ask about specific projects or clients you saw on their website, and the role they played. Who does your potential designer work for, and do they have any other qualifications or disciplines? Perhaps your potential designer is also a great writer, but it's more likely that they work within a network of experts, and this might include photographers, printers, and developers.

 

A Good Working Relationship

 

 

It's really important that you have a good working relationship with your graphic designer because this can yield results that are not only effective, but look great, and provide the perfect platform for your business to grow. Remember that the more flexibility and freedom you give your designer, the more chance you'll have of achieving results you never dreamed of. At the same time, you must stay involved throughout the process because it's important that you don't lose ownership of the final result. Everyone wins if you leave your options open and are willing to listen and learn. You can easily take your business to the next level when you have the right team of experts in your corner; and one of your most valuable resources will be an experienced, innovative graphic designer.

 

 

 

Animation Download Video Articles

"

The Right WebSite Design

 

Adrien Goodard was sitting at his desk going through his finances. Things were in good shape for his company - Goodard Plumbing, but he knew that with the right marketing strategy that his company could be in much better shape. With the right way of going about it, he could grow his company so that his part-time employees could have more hours - increasing his bottom line and theirs. Maybe, he thought, I could even manage to get enough money to take my wife on that trip she's been wanting to go on for years. Adrien decided that creating a website would be a good marketing decision especially with the internet being so front-of-the-line when it came to business practices. He decided to do a quick search online of what web design companies were in his area. When he saw the list of over twenty companies, he felt overwhelmed. How am I ever going to choose the right company from this list. I can't just choose anyone because the website will be the first thing that prospective new clients see about us, he wondered. Just then the phone rang and Adrien took it. He had a customer who had an emergency and needed him and his crew on site immediately. Adrien called his employees and then headed out to his truck. His marketing plans would have to wait.

 

It was late by the time that Adrien had dealt with the emergency and headed home. At the back of his mind he had many thoughts of what he'd like to say to his customers - both current and potential but it didn't sound right to him. He stayed up for a little while pacing the kitchen floor and drinking too much coffee trying to come up with an image in his mind. He felt tired the next morning when he went to work. He once again looked at the abundant list of web design companies advertised. He decided that the best way to find out about the companies was to take a quick look at their website and then speak with them. Adrien wasn't a man who felt comfortable conducting business over the internet, he liked to do things face to face. However, he supposed that he would have to learn about writing an effective e-mail once his website was up and running. The thought frightened him. The first call that Adrien made was to an internet start-up. The young man who met with him was friendly and presented Adrien with templates for the type of site that he could do.

 

""Once the website is built, do you put on any updates that we have?"" asked Adrien, ""for example, if I wanted to advertise the importance of having drains checked annually, and maybe offered a coupon once and a while for services such as this.""

 

""We could do that for you, sir,"" said the man, ""for a fee of course.""

 

""Have your clients been satisfied with your work so far?"" asked Adrien.

 

""Well, sir, we haven't had many clients, sir, but we hope to make the ones we get happy, after all that's how we'll make our business successful.""

 

""Thank you,"" said Adrien, ""you're the first company that I have interviewed but I will keep you in mind.""

 

After the young man had left, Adrien thought about the conversation that he had. The young man had been personable but Adrien felt anxious about the possibility of him creating the site for the plumbing company. He decided that he needed to know more about choosing the right internet company. It was a different experience than hiring plumbers or choosing companies to supply his tools of the trade. He found a few online texts to give him a better idea of what he was looking for. It made him realize that he needed to keep looking because a new company might not stay in business long enough to keep his website updated and successful for his business. He was also hoping for something that would distinguish him from other plumbers in the area, which meant that a template design was too generic for his needs. Ah, thought Adrien, this is stressful. I didn't realize that I needed to understand so many things about the internet to make the right choice when it comes to having a website. I've been in business fifteen years and have never had one before, but I know that it is important that I keep up with the marketing trends. A lot of potential clients aren't just going to look in the local entrepreneurs' guide. They're going to use search engines to find what they need because they always have their phones close by. I don't have the time to meet with every company on the list. It will take up too much of my time - time that I should be investing in my business. Adrien glanced up at the clock. It was nearing lunchtime and he needed a break. He decided to head out and get something. At the local diner, he ordered a burger, fries and soda.

 

""Hi, Adrien,"" said the waitress Marie, ""you look like something's eating at you.""

 

""Just trying to figure out a way to get a website created for my business. I had no idea there were so many webpage designers and companies in the area. I just don't have time to interview them all, and reading reviews and about each one online is equally time consuming.""

 

""I could recommend a designer for you,"" said Marie.

 

""You could?"" asked Adrien.

 

""Yes, you should contact Louisa Clayton at Clayton Commercial Arts. She looks after the diner's site and does a great job. Her company's been around for over ten years and is reliable. She has made a real success of her business and her skills are diverse. She's a graphic designer, web designer, artist and she also makes her own videos.""

 

""Wow,"" said Adrien, ""you sound like a walking billboard for her skills.""

 

Marie laughed, ""it isn't the first time that I've recommended her over the years and I've never heard of her letting anyone down. She makes all of her websites unique and she's good about bringing her own ideas to the table, and listening to what your vision is.""

 

Adrien made an appointment to meet with Louisa at the end of the week. After the introductions, Louisa made her pitch to Adrien.

 

""I'm impressed. You researched my company,"" said Adrien.

 

""I've found it to be a necessary part of my job,"" said Louisa, ""I like to be able to make a pitch at my first meeting. It saves us both time. I've come up with a few mock-ups for what I could do for your company. Bear in mind that I can change any colors or fonts that you want to match with what you want.""

 

""I like that,"" said Adrien when he saw a design that had a background that resembled pipes in a colorful pattern.""

 

""Plumbing isn't usually considered something fun or interesting, so I thought that we needed to put a fun spin on it. With the information that you can provide me, I can create pages that make your website user-friendly. Because plumbing isn't in a technological field, I find that a simple approach is usually best.""

 

""I think that sounds very reasonable,"" replied Adrien.

 

A few days later, Louisa stopped by the plumbing company to show Adrien what his completed website would look like. He was very impressed and thankful for her assistance.

 

""Now, you just have to advertise that you have a website,"" said Louisa, ""it will help you draw in customers. It is something that you can either do yourself, or you can leave it with my company. Our marketing department can help get the information out there online as well as through the radio and print media like flyers and the newspaper.""

 

""Can you outline the costs for that,"" said Adrien.

 

Louisa did and Adrien found the costs reasonable and retained her firm to do more work for him. He was impressed when a few days later he got a phone call from a new client who had seen his website. His stress level was down and he was sleeping well at night. Hiring Louisa Clayton's company had been a smart decision and he knew that he would be willing to refer her in the future to other fellow businessmen who might need a push in the direction of the right design like he had.

 

"

 

You Can Find More Information at  http://whiteboardvideoanimation.org/
and at Tyler Whiteboard Animation Video Companies

Call Us Today at: 206-335-8528

 

Watch our Video Designs For Websites And TV Commercials below to see how we work for you.

 

 


 

7 Amazing Strategies For Better Whiteboard Animation Video Design

 

 

Some history on the Website Design Services Industry

 

Website Designer

Web design encompasses many different skills and disciplines in the production and maintenance of websites. The different areas of web design include web graphic design; interface design; authoring, including standardised code and proprietary software; user experience design; and search engine optimization. Often many individuals will work in teams covering different aspects of the design process, although some designers will cover them all. The term web design is normally used to describe the design process relating to the front-end (client side) design of a website including writing mark up. Web design partially overlaps web engineering in the broader scope of web development. Web designers are expected to have an awareness of usability and if their role involves creating mark up then they are also expected to be up to date with web accessibility guidelines.

 

Web Designer Tools and technologies

 

Web designers use a variety of different tools depending on what part of the production process they are involved in. These tools are updated over time by newer standards and software but the principles behind them remain the same. Web designers use both vector and raster graphics editors to create web-formatted imagery or design prototypes. Technologies used to create websites include W3C standards like HTML and CSS, which can be hand-coded or generated by WYSIWYG editing software. Other tools web designers might use include mark up validators and other testing tools for usability and accessibility to ensure their web sites meet web accessibility guidelines.

 

Skills and techniques

 

Marketing and communication design

 

Marketing and communication design on a website may identify what works for its target market. This can be an age group or particular strand of culture; thus the designer may understand the trends of its audience. Designers may also understand the type of website they are designing, meaning, for example, that (B2B) business-to-business website design considerations might differ greatly from a consumer targeted website such as a retail or entertainment website. Careful consideration might be made to ensure that the aesthetics or overall design of a site do not clash with the clarity and accuracy of the content or the ease of web navigation, especially on a B2B website. Designers may also consider the reputation of the owner or business the site is representing to make sure they are portrayed favorably

 

User experience design and interactive design

 

User understanding of the content of a website often depends on user understanding of how the website works. This is part of the user experience design. User experience is related to layout, clear instructions and labeling on a website. How well a user understands how they can interact on a site may also depend on the interactive design of the site. If a user perceives the usefulness of the website, they are more likely to continue using it. Users who are skilled and well versed with website use may find a more distinctive, yet less intuitive or less user-friendly website interface useful nonetheless. However, users with less experience are less likely to see the advantages or usefulness of a less intuitive website interface. This drives the trend for a more universal user experience and ease of access to accommodate as many users as possible regardless of user skill. Much of the user experience design and interactive design are considered in the user interface design.

 

Advanced interactive functions may require plug-ins if not advanced coding language skills. Choosing whether or not to use interactivity that requires plug-ins is a critical decision in user experience design. If the plug-in doesn't come pre-installed with most browsers, there's a risk that the user will have neither the know how or the patience to install a plug-in just to access the content. If the function requires advanced coding language skills, it may be too costly in either time or money to code compared to the amount of enhancement the function will add to the user experience. There's also a risk that advanced interactivity may be incompatible with older browsers or hardware configurations. Publishing a function that doesn't work reliably is potentially worse for the user experience than making no attempt. It depends on the target audience if it's likely to be needed or worth any risks.

 

Page layout

 

Part of the user interface design is affected by the quality of the page layout. For example, a designer may consider whether the site's page layout should remain consistent on different pages when designing the layout. Page pixel width may also be considered vital for aligning objects in the layout design. The most popular fixed-width websites generally have the same set width to match the current most popular browser window, at the current most popular screen resolution, on the current most popular monitor size. Most pages are also center-aligned for concerns of aesthetics on larger screens.

 

Fluid layouts increased in popularity around 2000 as an alternative to HTML-table-based layouts and grid-based design in both page layout design principle and in coding technique, but were very slow to be adopted. This was due to considerations of screen reading devices and varying windows sizes which designers have no control over. Accordingly, a design may be broken down into units (sidebars, content blocks, embedded advertising areas, navigation areas) that are sent to the browser and which will be fitted into the display window by the browser, as best it can. As the browser does recognize the details of the reader's screen (window size, font size relative to window etc.) the browser can make user-specific layout adjustments to fluid layouts, but not fixed-width layouts. Although such a display may often change the relative position of major content units, sidebars may be displaced below body text rather than to the side of it. This is a more flexible display than a hard-coded grid-based layout that doesn't fit the device window. In particular, the relative position of content blocks may change while leaving the content within the block unaffected. This also minimizes the user's need to horizontally scroll the page.

 

Web Design NAICS Index Description

 

541511 Web (i.e., Internet) page design services, custom

 

Some history on the Graphic Design Services Industry

 

Graphic Designer

Graphic design is the process of visual communication and problem-solving through the use of typography, photography and illustration. The field is considered a subset of visual communication and communication design, but sometimes the term "graphic design" is used synonymously. Graphic designers create and combine symbols, images and text to form visual representations of ideas and messages. They use typography, visual arts, and page layout techniques to create visual compositions. Common uses of graphic design include corporate design (logos and branding), editorial design (magazines, newspapers and books), advertising, web design, communication design, product packaging and signage.

 

Applications

 

From road signs to technical schematics, from interoffice memorandums to reference manuals, graphic design enhances transfer of knowledge and visual messages. Readability and legibility is enhanced by improving the visual presentation and layout of text.

 

Design can also aid in selling a product or idea through effective visual communication. It is applied to products and elements of company identity like logos, colors, packaging, and text. Together these are defined as branding (see also advertising). Branding has increasingly become important in the range of services offered by many graphic designers, alongside corporate identity. Whilst the terms are often used interchangeably, branding is more strictly related to the identifying mark or trade name for a product or service, whereas corporate identity can have a broader meaning relating to the structure and ethos of a company, as well as to the company's external image. Graphic designers will often form part of a team working on corporate identity and branding projects. Other members of that team can include marketing professionals, communications consultants and commercial writers.

 

Textbooks are designed to present subjects such as geography, science, and math. These publications have layouts which illustrate theories and diagrams. A common example of graphics in use to educate is diagrams of human anatomy. Graphic design is also applied to layout and formatting of educational material to make the information more accessible and more readily understandable.

 

Skills

 

A graphic design project may involve the stylization and presentation of existing text and either preexisting imagery or images developed by the graphic designer. Artistic pieces can be incorporated in both traditional and digital form, which involves the use of visual arts, typography, and page layout techniques for publications and marketing. For example, a newspaper story begins with the journalists and photojournalists and then becomes the graphic designer's job to organize the page into a reasonable layout and determine if any other graphic elements should be required. In a magazine article or advertisement, often the graphic designer or art director will commission photographers or illustrators to create original pieces just to be incorporated into the design layout. Or the designer may utilize stock imagery or photography. Contemporary design practice has been extended to the modern computer, for example in the use of WYSIWYG user interfaces, often referred to as interactive design, or multimedia design. Another aspect of graphic design is to have good research skills, analyzing a work of art and simultaneously seeing it in new ways. Graphic Design need skills such as power to convince the audience and selling the design. Communication is a key part in graphic design. The process of graphic design include the "process school" which is an approach to the subject that is concerned with the actual process of communication; it especially highlights the channels and media through which messages are transmitted and by which senders and receivers encode and decode. Semiotic School on the other hand, is message as a construction of signs which through interaction with receivers, produces meaning; communication as an agent. The process school is like the way in which a message is brought out to society.

 

North American Industry Classification System For Graphic Design Services

 

This industry comprises establishments primarily engaged in planning, designing, and managing the production of visual communication in order to convey specific messages or concepts, clarify complex information, or project visual identities. These services can include the design of printed materials, packaging, advertising, signage systems, and corporate identification (logos). This industry also includes commercial artists engaged exclusively in generating drawings and illustrations requiring technical accuracy or interpretative skills

 

Illustrative Examples: Commercial art studios
Independent commercial or graphic artists
Corporate identification (i.e., logo) design services
Medical art or illustration services
Graphic design consulting services

 

Graphic Design NAICS Index Description

 

541430 Art services, commercial
541430 Art services, graphic
541430 Artists, independent commercial
541430 Artists, independent graphic
541430 Artists, independent medical
541430 Commercial art services
541430 Commercial artists, independent
541430 Commercial illustration services
541430 Commercial illustrators, independent
541430 Communication design services, visual)
541430 Communication design services, visual
541430 Corporate identification (i.e., logo) design services
541430 Graphic art and related design services
541430 Graphic artists, independent
541430 Graphic design services
541430 Illustrators, independent commercial
541430 Medical art services
541430 Medical artists, independent
541430 Medical illustration services
541430 Medical illustrators, independent
541430 Silk screen design services
541430 Studios, commercial art

 

Some history on the Whiteboard Animation Video Services Industry

 

Whiteboard animation

Whiteboard animation is a process where a creative story and storyboard with pictures is drawn on a whiteboard (or something that resembles a whiteboard) by artists who record themselves in the process of their artwork. It is used in TV and internet advertising to communicate messages in a unique way.

 

Terminology

 

The term whiteboard animation comes from the process of someone drawing on a whiteboard and recording it. The actual effect is a time-lapse, or sometimes stop-motion. Actual animation is rarely used but has been incorporated. Other terms are video scribing, and animated doodling. These video animation styles are now seen in many variations, and have taken a turn into many other animation styles. With the introduction of software to create the whiteboard animations, the process has many different manifestations of varying quality.

 

Skills and techniques

 

Marketing and communication design

 

Marketing and communication design on a website may identify what works for its target market. This can be an age group or particular strand of culture; thus the designer may understand the trends of its audience. Designers may also understand the type of website they are designing, meaning, for example, that (B2B) business-to-business website design considerations might differ greatly from a consumer targeted website such as a retail or entertainment website. Careful consideration might be made to ensure that the aesthetics or overall design of a site do not clash with the clarity and accuracy of the content or the ease of web navigation, especially on a B2B website. Designers may also consider the reputation of the owner or business the site is representing to make sure they are portrayed favorably

 

Animation

 

Animation is the process of making the illusion of motion and the illusion of change[Note 1] by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape, digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced.

 

Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. Computer animation processes generating animated images with the general term computer-generated imagery (CGI). 3D animation uses computer graphics, while 2D animation are used for stylistic, low bandwidth and faster real time renderings.

 

Video editing

 

The term video editing can refer to: The process of manipulating video images. Once the province of expensive machines called video editors, video editing software is now available for personal computers and workstations. Video editing includes cutting segments (trimming), re-sequencing clips, and adding transitions and other Special Effects.

 

Linear video editing, using video tape and is edited in a very linear way. Several video clips from different tapes are recorded to one single tape in the order that they will appear.

 

Non-linear editing system (NLE), This is edited on computers with specialised software. These are non destructive to the video being edited and use programs such as Adobe Premiere Pro, Final Cut Pro and Avid.

 

Offline editing is the process in which raw footage is copied from an original source, without affecting the original film stock or video tape. Once the editing has been completely edited, the original media is then re-assembled in the online editing stage.

 

Online editing is the process of reassembling the edit to full resolution video after an offline edit has been performed and is done in the final stage of a video production.

 

Vision mixing, when working within live television and video production environments. A vision mixer is used to cut live feed coming from several cameras in real time.

 

Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. Computer animation processes generating animated images with the general term computer-generated imagery (CGI). 3D animation uses computer graphics, while 2D animation are used for stylistic, low bandwidth and faster real time renderings.

 

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