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Check The Kind Of Whiteboard Animation Video Design You Want


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Whiteboard and Animated Graphics Video for Web

Promotional Video

TV Commercial


TV Commercial


holiday greeting video (freelance collaboration with Purdie Rogers)


holiday greeting video (freelance collaboration with Purdie Rogers)


website banner video ("Your Number One Choice-1")


website banner video ("Your Number One Choice-2")


website banner video ("Your Number One Choice-3")

Website Marketing Video

Custom Video Greeting

Why Whiteboard Sells


GRABS ATTENTION

Whiteboard videos are a great way to engage your web visitor. Your viewer is instantly put at ease due to the casual and informal feel and they continue watching because they want to see the drawing completed and experience the final product. Drawings are a primary and very basic way of communicating and people are drawn (sorry for the pun!) to them. When your viewer is relaxed and engaged, they will take notice and connect with your message and you'll be more likely to make a sale.

FLEXIBLE BRANDING

Whiteboard animations are completely custom and can be crafted specifically to reflect your branding, but in that folksy, familiar style. Whatever your message or brand, it is reinforced in a positive, fun way. You can’t go wrong.

DON'T WASTE YOUR SPACE

What's the point of putting your message on the web if it's not going to grab people — and let's face it — entertain them? You want to be memorable; you want to sell your product. With whiteboard animation, your message stays with your visitor and they are more likely to remember and choose you over your competitor.

APPEALS TO PEOPLE AND SEARCH ENGINES BOTH

A picture is worth a thousand words, and moving pictures are worth even more! Animations are the exact opposite of text on a page. Viewers connect with the drawings on an immediate and emotional level. Also, search engines take note when people stay on your site to watch your animation, giving your site better rankings.



Print

Strong design that catches attention
and enhances your brand

White Animated Board

Website Design

Clean, modern, mobile-friendly
designs made to sell your product

Graphic Desighner

Video

Different styles to showcase
your business message

Animate Video Online

Whiteboard Animation

Eye-catching and fun animations that
will keep your web visitor engaged

Graphic Desighner

Illustration

Custom illustrations guaranteed to be
worth a thousand words each

White Animated Board

Custom HTML Emails

Custom emails engage your clients
with visually appealing graphics

Animate Video Online

Logos

Logos that reflect and communicate
your business philosophy

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Other Fun Stuff

Ars longa, vita brevis —
(not enough hours in a day)

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Information for the city of Baltimore

Baltimore is the largest city in the U.S. state of Maryland and the 26th most populous city in the country. It is located in the central area of the state along the tidal portion of the Patapsco River, an arm of the Chesapeake Bay. The independent city is often referred to as Baltimore City to distinguish it from surrounding Baltimore County. Founded in 1729, Baltimore is the second largest seaport in the Mid Atlantic United States and is situated closer to Midwestern markets than any other major seaport on the East Coast. Baltimore's Inner Harbor was once the second leading port of entry for immigrants to the United States and a major manufacturing center.

 

After a decline in major manufacturing, industrialization and rail transportation, Baltimore shifted to a service oriented economy, with the Johns Hopkins Hospital (founded 1889), and Johns Hopkins University (founded 1876), now serving as the city's top two employers.With a population of 621,342 as of July 1, 2012, Baltimore increased by 1,100 residents over the previous year, ending over six decades of population loss since its peak in 1950. The Baltimore Metropolitan Area has grown steadily to approximately 2.7 million residents in 2010; the 20th largest in the country. Baltimore is also a principal city in the larger Baltimore Washington metropolitan area of approximately 8.4 million residentsOnce a predominantly industrial town, with an economic base focused on steel processing, shipping, auto manufacturing, and transportation, the city experienced deindustrialization which cost residents tens of thousands of low skill, high wage jobs.

 

The city now relies on a low wage service economy, which accounts for 90% of jobs in the city.Around the turn of the century, Baltimore was the leading US manufacturer of rye whiskey and straw hats. It also led in refining of crude oil, brought to the city by pipeline from Pennsylvania.Baltimore's unemployment rate in July 2012 was 11%, and the 2012 closure of a major steel plant at Sparrows Point is expected to have a further impact on employment and the local economy. One quarter of Baltimore residents (and 37% of Baltimore children) live in poverty.The city is home to the Hospital.

 

 

Information for the state of Maryland

Maryland's economic activity is strongly concentrated in the tertiary service sector, and this sector, in turn, is strongly influenced by location. One major service activity is transportation, centered on the Port of Baltimore and its related rail and trucking access. The port ranked 17th in the U.S. by tonnage in 2008. Although the port handles a wide variety of products, the most typical imports are raw materials and bulk commodities, such as iron ore, petroleum, sugar, and fertilizers, often distributed to the relatively close manufacturing centers of the inland Midwest via good overland transportation.

 

The port also receives several different brands of imported motor vehicles and is the number two auto port in the U.S. A second service activity takes advantage of the close location of the center of government in Washington, D.C. and emphasizes technical and administrative tasks for the defense/aerospace industry and bio-research laboratories, as well as staffing of satellite government headquarters in the suburban or exurban Baltimore/Washington area. In addition, a number of educational and medical research institutions are located in the state. In fact, the various components of The Johns Hopkins University and its medical research facilities are now the largest single employer in the Baltimore area. Altogether, white collar technical and administrative workers comprise 25 percent of Maryland's labor force, attributable in part to nearby Maryland being a part of the Washington Metro Area where the federal government office employment is relatively high. Maryland has a large food-production sector.

 

A large component of this is commercial fishing, centered in the Chesapeake Bay, but also including activity off the short Atlantic seacoast. The largest catches by species are the blue crab, oysters, striped bass, and menhaden. The Bay also has overwintering waterfowl in its wildlife refuges. The waterfowl support a tourism sector of sportsmen. Manufacturing, while large in dollar value, is highly diversified with no sub-sector contributing over 20 percent of the total. Typical forms of manufacturing include electronics, computer equipment, and chemicals.

 

Who Is Making A Bundle And How  

In the production process of whiteboard animation, you'll start by coming up with, then perfecting, the script. -Baltimore Whiteboard Animation Video Companies

 

 

HOW TO START A WHITEBOARD ANIMATION VIDEO FROM SCRATCH AND BECOME A MILLIONAIRE  

Whiteboard Animation Costs Articles

Why Is Whiteboard Animation So Effective?

 

We know there are many ways to make a video, so why is it that whiteboard animation stands head and shoulders above the rest?

 

It Starts with Drawing

 

With this medium, drawing is the defining characteristic, and when it comes to visual communication, drawing is one of the oldest forms. In fact, some cave drawings are more than 30,000 years old, which shows that long before the invention of paper, pottery, or even farming, drawings were used to communicate ideas. In fact, the idea of civilization itself was pre-dated by drawing by several thousand years.

 

Remember that every drawing ever made requires the viewer's imagination to bring it to life: prior to that it's just an illusion. And therein lies the beauty of whiteboard animation, because the viewer witnesses the creation of the illusion. New lines create possibilities, and the image is undefined until it becomes something recognizable. The viewer understands only too well that the artist is simply making lines on a whiteboard; however, these marks begin to transform as the drawing continues, and then something happens in the viewer's mind: the marks become something recognizable - perhaps an object, a person, or a face. It's simply magical watching something appear from just a few lines on a whiteboard; and perhaps part of the magic is that the viewer is left wondering what will happen next.

 

Telling a Story

 

Ultimately, a whiteboard animation is designed to tell a story; and storytelling is the perfect way to communicate an idea. It can be as instructional and direct as a training video, or as elaborate and fanciful as a fairytale. Perhaps the definition of whiteboard animation is that it's the simultaneous process of verbal and visual storytelling. Studies show that, in terms of learning and retention, the simultaneous delivery of both visual and verbal material is more effective than using one mode by itself, or even in succession with another mode. Basically, learning is enhanced when the dual modality of whiteboard animation delivers a synergistic effect.

 

The Human Element

 

In today's world of powerful computers there are many ways to create a drawing: there's certainly no denying that computers can crunch out details and make drawings look sharp and clean, and they're definitely vital in today's media production. Even the videos we create are dependent on computers for various steps in the process. It's become increasingly rare to find something made by hand, by a human, because we're living in a world dominated by media that's computer-based.

 

It's this human element of whiteboard animation that brings such a level of authenticity to an idea, even though the viewer may not be aware of it. Whiteboard animation pulls an idea down to a human level, down to earth, making it easier to digest and making it more relatable. Perhaps whiteboard animation is so successful because the content becomes more approachable and less intimidating.

 

Contrast and Simplicity

 

The simplicity and contrast of black and white lines has become a welcome reprieve from the never-ending stimulation viewers are bombarded with from media channels and the Internet. More and more people are continuously connected to the Internet through their computers, smart phones, and other devices; and there's certainly no shortage of sites to visit, songs to download, things to click on, and people to contact. It's what's commonly known today as information overload, and we're facing it on a daily basis.

 

But, our minds are always looking for simplicity, and this desire is satisfied with whiteboard animation because it uses high contrast but simple images to tell a story. Our minds distill sensory input down to the essentials by discarding unnecessary fluff and nonsense. This happens all the time and, without this ability, we probably wouldn't be able to function in today's world - there's simply too much going on. With whiteboard animation there are no unnecessary elements, so the mind is not required to dedicate resources to filter distractions, and can dedicate additional resources to the ideas being presented.

 

We Love Being Entertained!

 

Whiteboard videos are entertaining, and this goes back to the magic of watching someone draw. We're all fascinated with the creative way an image relates to the spoken word. Besides using a live artist, animations are also used, which adds an entirely new level of intrigue and magic. When you have something that's both interesting and engaging, it simply adds to the fascination of watching a whiteboard animation.

 

The Simplicity of Distribution

 

Because this is a digital video, it can be distributed in various layers among many platforms. It can be linked to in an email, hosted on a website, placed in an electronic textbook, shown in a presentation, uploaded, downloaded, copied, shared - whatever! Once your whiteboard animation is ready, you can use it or hand it out to anyone you like. Even while you're sleeping, your video can be working for you 24 hours a day, travelling the world. What better way to reach your target audience?

 

 

Who Is Making A Bundle And How

 

 

Whiteboard Animation Costs Articles

Choosing the Right Graphic Designer

 

The right graphic designer can help your business achieve its ultimate visualization communication goals, but you must know what to look for when choosing a graphic designer.

 

Below we've listed some helpful tips on choosing the right graphic designer for your project:

 

Experience

 

Experience is paramount when choosing your graphic designer. Professional graphic designers only survive in this highly competitive field when they're providing their clients with top-quality service, and one of the key factors in determining this is the length of time they've been in business.

 

Design Portfolio

 

Your decision in selecting the right graphic designer should not be too difficult once you've seen some design samples: from these samples, you should gain good insight into previous work that's been completed; plus, you'll see if the work a particular designer produces is what you're actually looking for.

 

The Design Process

 

There are various steps involved in the process of completing a project and showing it to clients. In order to determine the effective flow of work, it's important to note the ease of use and readiness of the designer's system that's in place. You need a proper history of all conversations which took place both before and after the design process, and you don't have time to waste in lost emails.

 

Testimonials

 

Testimonials can be very helpful when trying to determine what a designer will be like to work with, so don't hesitate to ask for references. You're looking for designer's clients you can contact personally; people who can confirm their satisfaction in working with that designer.

 

The right graphic designer for your project will be able to create ideas for a specific purpose and help visually express your business's objectives. Your message should be clear, so the outcome must be thoughtful, visual communications.

 

 

 

 

Whiteboard Animation Costs Articles

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There Are Different Types of Web Designers

 

Please see below for our definition of different types of web designers -

 

- Website Designer

 

Basically, a website designer is the Project Manager for your website design. It's the person who helps you determine the page layout, colors, text location, and graphics; plus, page navigation and how pages will cross-link to one another. In addition, your website designer may be the person who does the graphic art-work for your website, and they may do the computer programming: alternatively, this work would be subcontracted out to a programming specialist.

 

- Website Programmer

 

A website programmer is the person who gets the design from the website designer then creates the code that makes the site run. It's the programmer who makes sure your website works well for your visitors, which means that they're responsible for all the behind-the-scenes technical stuff.

 

- Graphic Designer/Artist

 

A graphic designer/artist is the person who creates the brand image for your website - you might like to consider this person as a visual artist, because they choose or create the graphics for your website, and this includes the logo, colors, page layout, illustrations, and so on.

 

- Internet Marketing Consultant

 

The marketing consultant is the person who works out how to get traffic to your website and convert that traffic into sales. It's the marketing consultant who ensures that your website and overall marketing strategy are compatible.

 

Bonus! If you're lucky, you may be able to find someone with expertise in all four skills!

 

Determining Who's a Good Designer, and What Their Charges Should Be

 

When choosing your designer, you first need to decide whether you prefer to work with someone locally, or whether you're prepared to work remotely over the phone and by email. The following tips may be helpful when choosing your website designer -

 

- Pay special attention to how much information the designer asks about your business. For them to work effectively for you they'll need to get to know both you and your business intimately. Unless they take the time to understand your business, how can they design a website that reflects you, your business, and your brand?

 

- Ask to see websites they've designed, and with this information you should know immediately whether you like their style, or not. Are they flexible in their designs, or is there a certain feel to all their sites?

 

- Did they just do the programming for these websites, or did they also do the layout design and graphics?

 

- Are they able to recommend a good graphic artist if they don't do graphic work themselves?

 

- Do they have a Website Planning Guide so you can work through the design together? It's very helpful if they do! Will all discussions and decisions be documented? Do they have a systematic, structured planning process that you can follow through the design phase?

 

- Do they have a thorough knowledge of internet marketing? It's imperative that the site they create for you will meet both your marketing and business goals. An attractive website is useless unless it's generating prospects and revenue.

 

- Be aware upfront what the designers' fees are, including the estimated total cost for the completed website. You'll probably need to discuss content and certain features of the website to enable the designer to give you a fairly good estimate; however, depending on their location and their expertise, you should expect to pay between $60 and $125 per hour. A simple, top quality business website with good layout and graphic design will cost between $2,500 and $5,000, and you should expect the price to be higher if you add a shopping cart, newsletter, blog, email address setup, auto responders, SEO, logo design, membership site, or if there are many pages to your website.

 

- Be clear on the payment process. Will you be required to make a deposit, and if so, how much? Will they bill you when certain milestones are reached, or will they invoice you monthly?

 

- Remember that your budget is your responsibility - not the designers, so make sure they stay within your budget. Pay attention if the designer keeps suggesting new add-ons that will only increase the cost of your website.

 

- Ask for contact details for their current and past clients, because you need to know how smoothly the design process was. You're looking for someone who not only has good project management skills, they also need good communication skills. You're also looking for someone who will listen to you and not just give their own advice. How was their customer service? You need someone who will return phone calls and emails in a timely manner.

 

- Will your designer be maintaining your website after the initial design and, if so, what will they charge for that service? There are designers who enjoy creating new sites but are not interested in maintaining them. If you have a virtual assistant who's skilled in website programming they may be able to maintain your website for a lower hourly fee. Be aware of the types of programming that are used in your website, and this will be helpful when you're looking for someone to update it.

 

- If your plan is to maintain the website yourself, ask your designer if they'll design it accordingly, making sure it's easily maintainable by a business owner. Your website could be designed on a blog/CMS platform, such as WordPress, which gives you the freedom to edit text and graphics.

 

- Ensure that your contract states very clearly that the copyright to the entire website belongs to you. Of course, this excludes stock photos and graphics because the original artist or photographer owns the copyright to those images. All coding work and all content, including graphics custom-created for you by someone else, should be owned by you.

 

- Regardless of whether you or your website designer registered your domain name, make sure the domain name is owned by you.

 

- Ultimately, you must be able to easily edit your own website, or have someone else do it for you, so make sure you request original, editable source files from your designer.

 

- Do you like your new designer, because you need to enjoy talking and working with them. Are they acting ethically with you? Are they focused on working on the task at-hand, or are they rambling and wasting your time? Do you find yourself agreeing with their values? Are they offering invaluable advice and insight about your website design?

 

- Be very clear with your prospective website designer about your deadline, and ask if they can meet it. You may find that you'll have to wait for your designer because most good website designers are booked for the next few weeks. If you're not clear about a specific deadline, work with the designer to establish an acceptable working deadline that suits both parties. This is especially important if you'll be writing the content for the website.If you're in the process of hiring a website designer it means you already understand just how crucial your website will be to the success of your business. Therefore, it's worth taking the time to interview as many potential website designers as is necessary to find a designer who's willing to listen to your thoughts and ideas, who has great advice of their own, who's prepared to work within your timeframe and budget, and who can create a website that positively reflects both you and your business.

 

"

 

You Can Find More Information at  http://whiteboardvideoanimation.org/
and at Top Website Design Firms Cleveland

Call Us Today at: 206-335-8528

 

Watch our Video Designs For Websites And TV Commercials below to see how we work for you.

 

 


 

How To Stretch Your Money

 

 

Some history on the Website Design Services Industry

 

Website Designer

Web design encompasses many different skills and disciplines in the production and maintenance of websites. The different areas of web design include web graphic design; interface design; authoring, including standardised code and proprietary software; user experience design; and search engine optimization. Often many individuals will work in teams covering different aspects of the design process, although some designers will cover them all. The term web design is normally used to describe the design process relating to the front-end (client side) design of a website including writing mark up. Web design partially overlaps web engineering in the broader scope of web development. Web designers are expected to have an awareness of usability and if their role involves creating mark up then they are also expected to be up to date with web accessibility guidelines.

 

Web Designer Tools and technologies

 

Web designers use a variety of different tools depending on what part of the production process they are involved in. These tools are updated over time by newer standards and software but the principles behind them remain the same. Web designers use both vector and raster graphics editors to create web-formatted imagery or design prototypes. Technologies used to create websites include W3C standards like HTML and CSS, which can be hand-coded or generated by WYSIWYG editing software. Other tools web designers might use include mark up validators and other testing tools for usability and accessibility to ensure their web sites meet web accessibility guidelines.

 

Skills and techniques

 

Marketing and communication design

 

Marketing and communication design on a website may identify what works for its target market. This can be an age group or particular strand of culture; thus the designer may understand the trends of its audience. Designers may also understand the type of website they are designing, meaning, for example, that (B2B) business-to-business website design considerations might differ greatly from a consumer targeted website such as a retail or entertainment website. Careful consideration might be made to ensure that the aesthetics or overall design of a site do not clash with the clarity and accuracy of the content or the ease of web navigation, especially on a B2B website. Designers may also consider the reputation of the owner or business the site is representing to make sure they are portrayed favorably

 

User experience design and interactive design

 

User understanding of the content of a website often depends on user understanding of how the website works. This is part of the user experience design. User experience is related to layout, clear instructions and labeling on a website. How well a user understands how they can interact on a site may also depend on the interactive design of the site. If a user perceives the usefulness of the website, they are more likely to continue using it. Users who are skilled and well versed with website use may find a more distinctive, yet less intuitive or less user-friendly website interface useful nonetheless. However, users with less experience are less likely to see the advantages or usefulness of a less intuitive website interface. This drives the trend for a more universal user experience and ease of access to accommodate as many users as possible regardless of user skill. Much of the user experience design and interactive design are considered in the user interface design.

 

Advanced interactive functions may require plug-ins if not advanced coding language skills. Choosing whether or not to use interactivity that requires plug-ins is a critical decision in user experience design. If the plug-in doesn't come pre-installed with most browsers, there's a risk that the user will have neither the know how or the patience to install a plug-in just to access the content. If the function requires advanced coding language skills, it may be too costly in either time or money to code compared to the amount of enhancement the function will add to the user experience. There's also a risk that advanced interactivity may be incompatible with older browsers or hardware configurations. Publishing a function that doesn't work reliably is potentially worse for the user experience than making no attempt. It depends on the target audience if it's likely to be needed or worth any risks.

 

Page layout

 

Part of the user interface design is affected by the quality of the page layout. For example, a designer may consider whether the site's page layout should remain consistent on different pages when designing the layout. Page pixel width may also be considered vital for aligning objects in the layout design. The most popular fixed-width websites generally have the same set width to match the current most popular browser window, at the current most popular screen resolution, on the current most popular monitor size. Most pages are also center-aligned for concerns of aesthetics on larger screens.

 

Fluid layouts increased in popularity around 2000 as an alternative to HTML-table-based layouts and grid-based design in both page layout design principle and in coding technique, but were very slow to be adopted. This was due to considerations of screen reading devices and varying windows sizes which designers have no control over. Accordingly, a design may be broken down into units (sidebars, content blocks, embedded advertising areas, navigation areas) that are sent to the browser and which will be fitted into the display window by the browser, as best it can. As the browser does recognize the details of the reader's screen (window size, font size relative to window etc.) the browser can make user-specific layout adjustments to fluid layouts, but not fixed-width layouts. Although such a display may often change the relative position of major content units, sidebars may be displaced below body text rather than to the side of it. This is a more flexible display than a hard-coded grid-based layout that doesn't fit the device window. In particular, the relative position of content blocks may change while leaving the content within the block unaffected. This also minimizes the user's need to horizontally scroll the page.

 

Web Design NAICS Index Description

 

541511 Web (i.e., Internet) page design services, custom

 

Some history on the Graphic Design Services Industry

 

Graphic Designer

Graphic design is the process of visual communication and problem-solving through the use of typography, photography and illustration. The field is considered a subset of visual communication and communication design, but sometimes the term "graphic design" is used synonymously. Graphic designers create and combine symbols, images and text to form visual representations of ideas and messages. They use typography, visual arts, and page layout techniques to create visual compositions. Common uses of graphic design include corporate design (logos and branding), editorial design (magazines, newspapers and books), advertising, web design, communication design, product packaging and signage.

 

Applications

 

From road signs to technical schematics, from interoffice memorandums to reference manuals, graphic design enhances transfer of knowledge and visual messages. Readability and legibility is enhanced by improving the visual presentation and layout of text.

 

Design can also aid in selling a product or idea through effective visual communication. It is applied to products and elements of company identity like logos, colors, packaging, and text. Together these are defined as branding (see also advertising). Branding has increasingly become important in the range of services offered by many graphic designers, alongside corporate identity. Whilst the terms are often used interchangeably, branding is more strictly related to the identifying mark or trade name for a product or service, whereas corporate identity can have a broader meaning relating to the structure and ethos of a company, as well as to the company's external image. Graphic designers will often form part of a team working on corporate identity and branding projects. Other members of that team can include marketing professionals, communications consultants and commercial writers.

 

Textbooks are designed to present subjects such as geography, science, and math. These publications have layouts which illustrate theories and diagrams. A common example of graphics in use to educate is diagrams of human anatomy. Graphic design is also applied to layout and formatting of educational material to make the information more accessible and more readily understandable.

 

Skills

 

A graphic design project may involve the stylization and presentation of existing text and either preexisting imagery or images developed by the graphic designer. Artistic pieces can be incorporated in both traditional and digital form, which involves the use of visual arts, typography, and page layout techniques for publications and marketing. For example, a newspaper story begins with the journalists and photojournalists and then becomes the graphic designer's job to organize the page into a reasonable layout and determine if any other graphic elements should be required. In a magazine article or advertisement, often the graphic designer or art director will commission photographers or illustrators to create original pieces just to be incorporated into the design layout. Or the designer may utilize stock imagery or photography. Contemporary design practice has been extended to the modern computer, for example in the use of WYSIWYG user interfaces, often referred to as interactive design, or multimedia design. Another aspect of graphic design is to have good research skills, analyzing a work of art and simultaneously seeing it in new ways. Graphic Design need skills such as power to convince the audience and selling the design. Communication is a key part in graphic design. The process of graphic design include the "process school" which is an approach to the subject that is concerned with the actual process of communication; it especially highlights the channels and media through which messages are transmitted and by which senders and receivers encode and decode. Semiotic School on the other hand, is message as a construction of signs which through interaction with receivers, produces meaning; communication as an agent. The process school is like the way in which a message is brought out to society.

 

North American Industry Classification System For Graphic Design Services

 

This industry comprises establishments primarily engaged in planning, designing, and managing the production of visual communication in order to convey specific messages or concepts, clarify complex information, or project visual identities. These services can include the design of printed materials, packaging, advertising, signage systems, and corporate identification (logos). This industry also includes commercial artists engaged exclusively in generating drawings and illustrations requiring technical accuracy or interpretative skills

 

Illustrative Examples: Commercial art studios
Independent commercial or graphic artists
Corporate identification (i.e., logo) design services
Medical art or illustration services
Graphic design consulting services

 

Graphic Design NAICS Index Description

 

541430 Art services, commercial
541430 Art services, graphic
541430 Artists, independent commercial
541430 Artists, independent graphic
541430 Artists, independent medical
541430 Commercial art services
541430 Commercial artists, independent
541430 Commercial illustration services
541430 Commercial illustrators, independent
541430 Communication design services, visual)
541430 Communication design services, visual
541430 Corporate identification (i.e., logo) design services
541430 Graphic art and related design services
541430 Graphic artists, independent
541430 Graphic design services
541430 Illustrators, independent commercial
541430 Medical art services
541430 Medical artists, independent
541430 Medical illustration services
541430 Medical illustrators, independent
541430 Silk screen design services
541430 Studios, commercial art

 

Some history on the Whiteboard Animation Video Services Industry

 

Whiteboard animation

Whiteboard animation is a process where a creative story and storyboard with pictures is drawn on a whiteboard (or something that resembles a whiteboard) by artists who record themselves in the process of their artwork. It is used in TV and internet advertising to communicate messages in a unique way.

 

Terminology

 

The term whiteboard animation comes from the process of someone drawing on a whiteboard and recording it. The actual effect is a time-lapse, or sometimes stop-motion. Actual animation is rarely used but has been incorporated. Other terms are video scribing, and animated doodling. These video animation styles are now seen in many variations, and have taken a turn into many other animation styles. With the introduction of software to create the whiteboard animations, the process has many different manifestations of varying quality.

 

Skills and techniques

 

Marketing and communication design

 

Marketing and communication design on a website may identify what works for its target market. This can be an age group or particular strand of culture; thus the designer may understand the trends of its audience. Designers may also understand the type of website they are designing, meaning, for example, that (B2B) business-to-business website design considerations might differ greatly from a consumer targeted website such as a retail or entertainment website. Careful consideration might be made to ensure that the aesthetics or overall design of a site do not clash with the clarity and accuracy of the content or the ease of web navigation, especially on a B2B website. Designers may also consider the reputation of the owner or business the site is representing to make sure they are portrayed favorably

 

Animation

 

Animation is the process of making the illusion of motion and the illusion of change[Note 1] by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape, digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced.

 

Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. Computer animation processes generating animated images with the general term computer-generated imagery (CGI). 3D animation uses computer graphics, while 2D animation are used for stylistic, low bandwidth and faster real time renderings.

 

Video editing

 

The term video editing can refer to: The process of manipulating video images. Once the province of expensive machines called video editors, video editing software is now available for personal computers and workstations. Video editing includes cutting segments (trimming), re-sequencing clips, and adding transitions and other Special Effects.

 

Linear video editing, using video tape and is edited in a very linear way. Several video clips from different tapes are recorded to one single tape in the order that they will appear.

 

Non-linear editing system (NLE), This is edited on computers with specialised software. These are non destructive to the video being edited and use programs such as Adobe Premiere Pro, Final Cut Pro and Avid.

 

Offline editing is the process in which raw footage is copied from an original source, without affecting the original film stock or video tape. Once the editing has been completely edited, the original media is then re-assembled in the online editing stage.

 

Online editing is the process of reassembling the edit to full resolution video after an offline edit has been performed and is done in the final stage of a video production.

 

Vision mixing, when working within live television and video production environments. A vision mixer is used to cut live feed coming from several cameras in real time.

 

Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. Computer animation processes generating animated images with the general term computer-generated imagery (CGI). 3D animation uses computer graphics, while 2D animation are used for stylistic, low bandwidth and faster real time renderings.

 

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